Review of Nineteen Eighty-Four from 1949

Review of Nineteen Eighty-Four from 1949

Fascinating review of Orwell’s Nineteen Eighty-Four from the year 1949. Seems this particular reader had a similar experience with it that I had.

Nineteen Eighty-Four is a book that goes through the reader like an east wind, cracking the skin, opening the sores; hope has died in Mr Orwell’s wintry mind, and only pain is known. I do not think I have ever read a novel more frightening and depressing; and yet, such are the originality, the suspense, the speed of writing and withering indignation that it is impossible to put the book down.

via Boing Boing.

How to Add a Sidebar to Your WordPress Theme

How to Add a Sidebar to Your WordPress Theme

I thought this was a useful article for those of you who like to tinker with wordpress themes. I know it helped me immensely.

How to Add a Sidebar to Your WordPress Theme

Most simple WordPress templates/themes generally employ a single sidebar. But, in keeping with WordPress’ open architecture, you can easily add a second (or 3rd or 4th) sidebar to your site’s theme. And, you aren’t restricted to using your sidebar in the typical sidebar area–you can put your new sidebar in a header, a footer, or any other area in your template. Additional sidebars let you place any WordPress Widget (such as Recent Posts, Pages, Links/Blogroll, Calendar, Tag Cloud, as well as any custom widgets) into new areas of your WordPress template. This technique is especially powerful when combined with custom WordPress page templates–with additional sidebars, we can have custom sidebars for each of our custom page templates. This is the approach we’ll teach you in this tutorial.

via How to Add a Sidebar to Your WordPress Theme.

Intangible: Flash Fiction

Intangible: Flash Fiction

This is my guest entry for the flash fiction contest at Lascaux Flash.

Intangible

She writes her number on the back of my hand with a black magic marker.

Then she says hello.

We dance the way people at parties dance, a fast slow dance of an excuse to press our bodies together, to what passes for music at these types of things. Stuck in the middle with you.

When she speaks, she leans in close, the black tips of her blonde hair tickling my face, her hand soft on my shoulder.

I’ve read when a girl is really into you, she’ll take any chance to make physical contact.

I’ve only read.

I fetch her a drink, standing in line for an eternity, glancing her way, worried should she leave my sight she will disappear, ethereal.

I return.

I don’t go here, she says, between sips of her beverage. I’ll transfer, I say, joking, but not really.

With nods and a smiles, my friends leave. Her friends linger, inspecting me as they embrace her goodbye.

Time passes. We find our way into the cold.

Our night ends at the threshold of her friend’s building. Call me as soon as you wake, she says.

I tell her this is not the end of our tale. She nods.

I spend the remainder of the night in my bed, watching the minutes flick by.

Morning light peeks through the yellowing blinds of my bedroom and I clutch my phone, finding myself paralyzed by the idea of blemishing the perfect of yesterday with the unknown of tomorrow.

Douglas Adams’ Birthday

Douglas Adams’ Birthday

Yesterday was Douglas Adams’ birthday and I totally missed it. In my defense, I don’t think he’ll mind.

Anyway, I thought I’d make up for missing his birthday by posting just a couple of Douglas Adams related things I came across yesterday.

First, Douglas featured on his very own Google Doodle yesterday.

Next, an absolutely brilliant exchange between Arthur Dent and Ford Prefect from The Hitchhiker’s Guide to the Galaxy:

“You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space that I really wish I’d listened to what my mother told me when I was young.”

“Why, what did she tell you?”

“I don’t know, I didn’t listen.

Next, an interview Douglas did in 1985 with Letterman.

Advice on Writing Flash Fiction

Advice on Writing Flash Fiction

I’ve been reading a bunch of flash fiction in the past few days, so I thought I’d share some of my observations on what works for me as a reader.

First of all, what is Flash Fiction? To put it simply, flash fiction is just a piece of fiction that is just really short. From Wikipedia:

Flash fiction is a style of fictional literature or fiction of extreme brevity.[1] There is no widely accepted definition of the length of the category. Some self-described markets for flash fiction impose caps as low as three hundred words, while others consider stories as long as a thousand words to be flash fiction

Let’s frame this a bit more. Let’s stick with really short fiction, say 100 to 500 words.

  1. Grab the reader’s attention right away. Flash is meant to be bite sized nuggets of story goodness. Don’t make me choose the other dessert.
  2. Tell me a story. A complete story. Yes this can be done.
  3. Don’t be so nebulous–the reader shouldn’t have to wait until the last sentence to know what the heck is going on.
  4. Show don’t tell. You hear the rule all of the time for a reason. Don’t tell us the protagonist is scared. Paint the picture.
  5. Easy of the flowery prose. Flowery prose can be good, but in flash fiction you only have so many words. There’s no sense in using them all to describe the supporting character’s jacket.
  6. Easy on the murder, rape, violence. There are other ways to create tension and drama. And with so little words to work with, it is really difficult to do murder, rape, violence that doesn’t seem just cheap and gratuitous.
  7. Surprise endings are overdone. Surprise! Those two people you thought were in love were newts the entire time. (I’ve written a bunch of these in my day and they are fun to write, but do feel a little like the easy way out to me now)
  8. Make me feel. A good piece of flash fiction should make me feel happy. Or sad. Or nostalgic. Or anything other than meh.
  9. Seriously, though. Take it easy on the violence.

Anybody else have thoughts on what makes good flash fiction?